Painting Series
Selective 80′-90′ paintings of Brazilian, West African and Turkish Series
Muslim Women at the Window, 36.5x36.5in with frame, Acrylic & Mixed Media on Paper, 1994
Interior of Mystery, from Turkish Series, 20x22in, Oil on Linen, 2001
Bath, 60x50in, Oil on Linen, 1995
A Sense of Place III, from Turkish Series, 29x28in, Oil on Linen, 1995
Istanbul Light (from Turkish Series), 70x60in, Oil on Linen, 1995
Interior of Mysteries, 70x70in, Oil on Linen, 1997
Church
Votive Spirits -from Brazilian Series, 86x66in, Oil on linen, 1995
Interior for Yansa from Brazilian Series, Oil on Linen, 1985, Bryan McFarlane
Untitled, 40x58in, Oil on Linen, 1994
Passage, 49x39.5in (55x46in with Frame), Oil on Linen, 1991
Ritual Passage (Diptych), 1986, Bryan McFarlane
Eggs that Hatch (Modern Maroon Wedding), Oil on Linen, 79.5x93inch, 2001, Bryan McFarlane
The Wedding, 50x90inches, Water Color on Arches Paper, 1999 (Collection of Bank of Jamaica)
figure water color-Untitled II, 1998
figure water color-Untitled I, 1998
figure water color-Untitled III, 1998
Boa Morte Ritual from brazil series, Water Color on Rag Paper, 52x38in,1991
Priestesses from Brazilian Series, Water Color on Rag Paper, 52x38in,1991
Brazilian Priestess, 51x35inches, Watercolor on Rag Paper, 1993 (Collection of Ouida Bradshaw)
Bonding I from Brazilian Series, Acrylic Gold Paint and Conte on Rag Paper, 22x13.5inches, 1993
Bonding II from Brazilian Series, Acrylic Gold Paint and Conte on Rag Paper, 13.5x22inches, 1993
study for 'boa morte' drawing with bronze acrylic on paper, 1989, Bryan McFarlane
study-portrait drawing with gold paint, 1979
Brazilian Market, Serigraph from Artist Edition, 35x45.5inches, 1992
Fragments of Time II, 68x120in, Oil on canvas, 1986, Bryan McFarlane (collection of the artist)
Door of No Return, Oil on Linen, 68x54in, 1999-2005
Unexploded Ordinance with Egg, 152x180cm, Oil on Linen, 2002
Unexploded, 65x50inches, Oil on Linen, 2002, Bryan McFarlane
Floating Saints, Oil on Linen, 1987
Ex-votive Spirites, Oil and Gold Paint on Paper, 57x52in, 1995
Untitled, Oil and Conte' on Rag Paper, 1986
Mumsy, Oil on Linen, Bryan McFarlane
Kinte Dance, 40x50in, Mixed media, 1986, Bryan McFarlane (private collection)
Two Women, 22x18in, Mixed media with kinte cloth, acrylic paint, charcoal on paper, 1987, Bryan McFarlane (private collection)
Fragments of Time, 68x110in, Oil on canvas, 1986, Bryan McFarlane (collection of the artist)
Oil on Linen, 1988, Bryan McFarlane
The Metaphysics of Ritual Objects, Oil on Linen,1988
Ritual Object Untitled from Ghana Series, 40x40inches, Oil on linen,1999
Untitled, from West African Series, Oil on Canvas, 1988
The Shauman, 36x36inch, Oil on Canvas, 1988, Bryan McFarlane
Ritual Yard from West African Series, Oil on Linen 60x50in, 1998
Ritual Dance, 90x90inch, Oil on Linen, 1988, Bryan McFarlane, Collection of MFA Boston
Ritual V, 50x60in, Oil on Linen, 1988
Ritual Objects, 26x24in, 28x26.5in with Frame, Bryan McFarlane
Shrine II, 50x56 inches, Oil on Linen, 1999
Wounded South African Boy, 17x17in, Mix Media on Paper, 1987
Cameroon, x in, Oil on Linen, 1988
(Closeup) Yemanja from Brazilian Series, Oil on Linen, 1986
Paranoia, Oil on Linen. 62x64in, 1981
Artist Eating Paint I, Oil on Linen, 1985, Bryan McFarlane
Artist Stretching Canvas, Oil on Linen, 1985, Bryan McFarlane
Artist Eating Paint II, oil on linen, 1985, Bryan McFarlane
Masking Face, 91x152.5 cm, Oil on Linen, 1984, Bryan McFarlane
Untitled, Oil on Linen, 1984, Bryan McFarlane
Post Colonial Self Hate, 80x113inches, Oil on Linen, 1999
The Sea Becoming Blood, 138x100in, Oil on canvas, 1988
Nanny the Warrior, 52.25x29.5inches, Mixed Media (Gold Paint, Watercolor, Chalk Pastel) on Rag Paper, 1993 (Collection of Ouida Bradshaw)
Maroon Women, 89x74inches, Oil on Linen, 1992 (Collection of Ouida Bradshaw)
Selected Catalogues
January 1, 1987
1987 – Gallery of Greats Black Journalists Then & Now
January 1, 1987
May 14, 1988
1988 – Fragments of Time – Mass College of Art
May 14, 1988
December 1, 1995
1995 – Bryan McFarlane – The Namasket Gallery
December 1, 1995
November 16, 1999
1999 – Minus 2000 – The Mutual Life Gallery
November 16, 1999
June 19, 2010
2010 – Circular Journey II – Sunshine Int’l Museum
June 19, 2010
March 15, 2018
2018 – Fragments of Time II – Olympia Gallery
March 15, 2018
Selected Invites
Selected Reviews&Critics
1970′ 1980′
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1977-05-13, An Artist to Be Watched, Daily Gleaner
1977, Parboosingh Scholar for Royal College of Arts
1978-03-11, Sunday Gleaner
1978-05-21, A Line from The Tower of Babble, Sunday Gleaner
1978-11-09, Idealistic Approach, Daily Gleaner
1978, Most Promising, Jamaica Daily News
1979-03-25, Sunday Gleaner Magazine
1979-04-01, Jamaica Daily News Sunday
1980-10, AAMARP News
1982-10-11, Jamaica Daily News
1982-12-19, Art View Neo Expressionism, Sunday Gleaner
1983-12-15, Works of Jamaican Artist Featured in Harvard Exhibit, Bay State Banner
1983, Local Exhibits Show Promise, South End News
1984-02-23, Local Artists’ Works Reflect ‘social concerns in the 80’s’, Bay State Banner
1984-10-07, AAMARP A Tribute to Black Women
1984-85 Winter, Sundays at the Museum of Fine Arts
1984, Art New England
1984, The AAMARP Department Summer News
1985-02, Afro-American Art Takes A Variety of Forms, Boston TAB
1985-11-14, Jamaican’s Paintings Mix Fact and Fantasy, Bay State Banner
1985-11-28, McFarlane’s Self-portraits, Boston Globe
1987-03-26, Paintings Drawn from the Soul, Leisure Weekly
1987-06, Boston Globe
1987, Gallery of Greats Black Journalists, assorted reviews I
1987, Gallery of Greats Black Journalists, assorted reviews II
1987, Gallery of Greats Black Journalists, assorted reviews III
1988-01-03, MASS Masters Afro-American Artists, MFABoston
1988-06-09, Perspectives, Boston Global
1988-08-14, Rejecting The Cliches, Jamaica Daily Gleaner
1990′ 2000′
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1990-05-10, The Aces of Black Media, Jounal da Bahia
1990-10-18, The Many Shades of Diversity, Boston Globe
1992-08-10, Caribbean Color at the Parish, Washington Post
1993-02-02, See Art From African American Perspectives, Justart’
1993-02-07, African-American Artists Showcased at Brandeis, Boston Globe
1993-02-10, Jarring Joyous Works from Black Artist, BostonGlobe
1993-04-11, Maroon Odyssey, Sunday Herald
1993, Show Focuses on the Diversity of Black Art, Boston Herald
1995, Magazine Du Camescope
1997-06-29, Power of Figure Evoked to Reveal Truth, Columbus Dispatch
1997-11-16-22, Of Reckonable Strengths, Sunday Gleaner
1997-11-23, A Wide Thematic Range, Sunday Observer
1997-11-30, An Artist At The Top of His Craft, Sunday Herald
1998-01, A Vibrant Year for Art, THE JAMAICA OBSERVER Year In Review
1999-04-16, The Caribbean In Darkness And Light, Boston Globe
1999-11-21, Art and Mystery, Sunday Observer
2000-01, Awakening Ancient Voices through Art, A Pure Class Publication
2006-10-22, Beyond the Natural Realm, Sunday Gleaner
2006-10-29, Sun Herald
2010′ 2020′
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